GENDER ASPECT OF ANNA AKHMATOVA'S LYRICS
##plugins.themes.academic_pro.article.main##
Abstract
In the work of Russian poetesses of the 20th century, two main tendencies can be distinguished within the framework of which it develops: these are attempts to either imitate male poetry, or to illuminate precisely a special, female view of the problems typical of lyric poetry. This means that there are two poles - imitation of men and demonstration of female individuality. The first can undoubtedly include Marina Tsvetaeva, who even referred to herself as the Poet and by no means a poetess. Anna Akhmatova is in constant maneuvering between these two poles, so it is not possible to unambiguously assign her to one of them.
##plugins.themes.academic_pro.article.details##

This work is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License.
References
- Артюховская Н.И. О драматизме ранней лирики Анны Ахматовой // Вестник Московского университета, 1974. № 4. – С.23.
- Жирмунский В. М. Анна Ахматова // pro et contra: в 2 т. – СПб: РХГА, 2001. Т.1. – С.144.
- Кальян К.И. Интимная лирика Р.Катаевой и А.Ахматовой. Сопоставительный аспект // Вестник Харьковского национального педагогического университета имени Г.С.Сковороды, 2016. № 2. (57). – С.73.
- Ходасевич В.В. «Женские» стихи // Собр.соч. Т.2. – М.: Худ.лит-ра, 1996. –С.210.
- Цзоу Л. Психологизм любовной лирики Анны Ахматовой 1910-х – начала 1920-х годов. – М.: Флинта, 2020. – 201 с.
- Цивьян Т.В. Ахматова и музыка // Russian Literature, 1978. № 10. – С.195.