РОЛЬ ИСЛАМА В НАРОДНОМ ДЕКОРАТИВНОМ ИСКУССТВЕ БУХАРЫ

Authors

DOI:

https://doi.org/10.17605/OSF.IO/A9DRS

Keywords:

Koran, Abrband, Islam-Islamic, Bandi Rumi, Handasa, Calligraphy

Abstract

This article tells about the history of the development of science, trade, architecture and crafts in Bukhara, as well as about scientists and artisans who became historians of Islamic culture.

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References

Akbar Khakimov. Applied art of Uzbekistan. - Tashkent, 2013.

Sh.K. Shoekubov. O’zbek xalq amaliy bezak san’ati. Tashkent-2009.

Uzbekistan. Islamic monuments. Tashkent-2002.

C. Bulatov. Pancarlik. Tashkent-1990.

I. O. Azimov. Uzbekisan Patterns. Tashkent-1987.

Pulat Zohidov. Zeb ichida ziynat. Tashkent-1985.

L. I. Rempel. Far and near.Tashkent-1981

G. A. Chepelevskaya. Suzanne is from Uzbekistan. Tashkent -. 1961.

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Published

2020-06-11

Issue

Section

Articles

How to Cite

[1]
“РОЛЬ ИСЛАМА В НАРОДНОМ ДЕКОРАТИВНОМ ИСКУССТВЕ БУХАРЫ”, IEJRD - International Multidisciplinary Journal, vol. 5, no. 4, p. 4, Jun. 2020, doi: 10.17605/OSF.IO/A9DRS.

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